Rescued from the outrageous neglect of his aunt and uncle a young boy with a great destiny proves his worth while attending hogwarts school of witchcraft and wizardry. Subtitles in english and spanish self-guided tour of hogwarts new interviews with the director and the producer and much more. Studio: Warner Home Video Release Date: 11/14/2006 Starring: Daniel Radcliffe Emma Watson Run time: 152 minutes Rating: Pg Director: Chris Columbus

An extraordinary journey of the heat. An 11-year-old boy discovers a courage and self-reliance he didnt know he had when he tries to help a friendly boarder with unique powers elude equally mysterious agents pursuing him. Special features: subtitles in english and french and much more. Studio: Warner Home Video Release Date: 02/08/2005 Starring: Anthony Hopkins David Morse Run time: 101 minutes Rating: Pg13 Director: Scott Hicks

Having developed his skill as a master of contemporary crime drama, writer-director Michael Mann displayed every aspect of that mastery in this intelligent, character-driven thriller from 1995, which also marked the first onscreen pairing of Robert De Niro and Al Pacino. The two great actors had played father and son in the separate time periods of The Godfather, Part II, but this was the first film in which the pair appeared together, and although their only scene together is brief, it's the riveting fulcrum of this high-tech cops-and-robbers scenario. De Niro plays a master thief with highly skilled partners (Val Kilmer and Tom Sizemore) whose latest heist draws the attention of Pacino, playing a seasoned Los Angeles detective whose investigation reveals that cop and criminal lead similar lives. Both are so devoted to their professions that their personal lives are a disaster. Pacino's with a wife (Diane Venora) who cheats to avoid the reality of their desolate marriage; De Niro pays the price for a life with no outside connections; and Kilmer's wife (Ashley Judd) has all but given up hope that her husband will quit his criminal career. These are men obsessed, and as De Niro and Pacino know, they'll both do whatever's necessary to bring the other down. Mann's brilliant screenplay explores these personal obsessions and sacrifices with absorbing insight, and the tension mounts with some of the most riveting action sequences ever filmed—most notably a daylight siege that turns downtown Los Angeles into a virtual war zone of automatic gunfire. At nearly three hours, the film qualifies as a kind of intimate epic, certain to leave some viewers impatiently waiting for more action, but it's all part of Mann's compelling strategy. Heat is a true rarity: a crime thriller with equal measures of intense excitement and dramatic depth, giving De Niro and Pacino a prime showcase for their finely matched talents. —Jeff Shannon

David Mamet's Heist is—not unlike many of his previous films—amusing, manicured, and fraught with an awkward tension. If you've seen The Spanish Prisoner or House of Games, you're by now familiar with the plot-subverting gambit of the double-cross turned triple- and then quadruple-cross. Heist sticks to the formula. Likewise, the quips and laconic wit that adorn what can most accurately be called "Mametspeak" are again on display: "Cute as a pail full of kittens," for instance, and "Everybody needs money; that's why they call it money." What you haven't yet seen in a Mamet film is the magisterial charm of Gene Hackman. In the role of Joe Moore, an aging criminal out for one final score before cashing in, Hackman shows us all (Mamet included) how it's done, embodying tough-but-clever effortlessly. Delroy Lindo, as Joe's partner Bobby, picks up on Hackman's ultra-cool and gives plenty in return. While the script and the remaining cast (Danny Devito, Rebecca Pidgeon, Sam Rockwell) are serviceable, Heist is entirely Hackman's show to steal. —Fionn Meade

ASHLY JUDD STARS AS CLAIRE KUBIK, A HIGH-POWERED ATTORNEY WHOSE PERFECT LIFE COMES DOWN WHEN HER HUSBAND IS CHARGED WITH HIGH CRIMES OF MURDER. ENLISTING THE AID OF A SHREWD MILITARY LAWYER, CLAIRE WILL RISK HER CAREER AND EVEN HER LIFE TO FIND OUT THE TRUTH.

Theatrically released in 1991 as Highlander II: The Quickening, this sequel was later reedited and gained a small but loyal following (prompting a spinoff TV series), but at the time of its release critic Roger Ebert called it "the most hilariously incomprehensible movie ... almost awesome in its badness." In other words, you might find some guilty pleasure in this chaotic sequel to 1986's Highlander, in which Christopher Lambert reprises his role as Connor MacLeod, a member of the alien race known as "Immortals," banished to Earth from his home planet Zeist some 500 years ago. In the year 1999, Lambert owns a corporation that has created a shield to protect the Earth following the depletion of the ozone layer. But the shield is seized by an evil cartel, and Virginia Madsen plays a scientist who assists MacLeod in his mission to destroy the cartel. Sean Connery also reprises his role from Highlander as the Scottish Immortal named Ramirez (?!), but by the time he starts engaging in dashing swordplay you may wonder if he's wandered in from another movie altogether. —Jeff Shannon

The Front Page, Ben Hecht and Charles MacArthur's classic 1928 newspaper play, has had three official film versions and contributed structural DNA to half the movies ever made about professional camaraderie and fierce love-hate friendships. Lewis Milestone's 1931 movie is well respected (Billy Wilder's 1974 version isn't), but this is one case where the remake towers brilliantined head and blocked shoulders above the original.

Howard Hawks had the inspired notion of making Hildy Johnson—the ace newsman whom demonic editor Walter Burns is trying to keep from quitting and getting married—a she instead of a he. What's more, she's not only Walter's star reporter but also his ex-wife. When Hildy (Rosalind Russell) comes to tell Walter (Cary Grant) she's leaving the newspaper business, he bamboozles her into carrying out one last assignment—a death-row interview with a little nebbish (John Qualen) convicted of killing a policeman. It sounds like a snap, but before you can say screwball comedy, the press room of the Criminal Courts Building has become ground zero for all the lunacy a jailbreak, a shooting, an impromptu suicide, a corrupt city administration, and the most Machiavellian "hero" in the American cinema can supply.

His Girl Friday is one of the, oh, five greatest dialogue comedies ever made; Hawks had his cast play it at breakneck speed, and audiences hyperventilate trying to finish with one laugh so they can do justice to the four that have accumulated in the meantime. Russell, not Hawks's first choice to play Hildy, is triumphant in the part, holding her own as "one of the guys" and creating an enduring feminist icon. Grant is a force of nature, giving a performance of such concentrated frenzy and diamond brilliance that you owe it to yourself to devote at least one viewing of the movie to watching him alone. But then you have to go back (lucky you) and watch it again for the sake of the press-room gang—Roscoe Karns, Porter Hall, Cliff Edwards, Regis Toomey, Frank Jenks, and others—the kind of ensemble work that gets character actors onto Parnassus. —Richard T. Jameson

Robin williams is a grown up peter pan and dustin hoffman is the infamous captain hook. Granny wendy darling and tinkerbell must convince the middle-aged lawyer peter banning, that he was once the legendary peter pan in order to save his children from the evil hook. Features: subtitles in english, and much more.

Before Harrison Ford assumed the mantle of playing Tom Clancy's Jack Ryan hero in Patriot Games, Alec Baldwin took a swing at the character in this John McTiernan film and hit one to the fence. If less instantly sympathetic than Ford, Baldwin is in some respects more interesting and nuanced as Ryan, and drawing comparisons between both actors' performances can make for some interesting postmovie discussion. That aside, The Hunt for Red October stands alone as a uniquely exciting adventure with a fantastic costar: Sean Connery as a Russian nuclear submarine captain attempting to defect to the West on his ship. Ryan must figure out his true motives for approaching the U.S. McTiernan (Predator, Die Hard) made an exceptionally handsome movie here with action sequences that really do take one's breath away. —Tom Keogh

Just as A Bug's Life was a computer-animated comedy inspired by Akira Kurosawa's The Seven Samurai, the funny and often enthralling Ice Age is a digital re-imagining of the Western Three Godfathers. The heroes of this unofficial remake (set 20,000 years ago, during the titular Paleolithic era) are a taciturn mastodon named Manfred (voiced by Ray Romano), an annoying sloth named Sid (John Leguizamo), and a duplicitous saber-toothed tiger, Diego (Denis Leary). The unlikely team encounters a dying, human mother who relinquishes her chirpy toddler to the care of these critters. Hoping, against all odds, to return the little guy to his migrating tribe, Manfred and his associates need to establish trust among themselves, not an easy thing in a harsh world of predators, prey, and pushy glaciers. Audiences that have become accustomed to the rounded, polished, storybook look of Pixar's house brand of computer animation (Monsters, Inc.) will find the blunt edges and chilly brilliance of Ice Age—evoking the harsh, dangerous environment of a frozen world—a wholly different, and equally pleasing, trip. Recommended for ages 4 and up. —Tom Keogh

SPECIAL FEATURES: THE ORGINAL THEATRICAL TRAILER, CAST AND CREW BIOGRAPHIES AND FILMOGRAPHIES.

Between his directorial duties on A Perfect World and The Bridges of Madison County, Clint Eastwood starred in this pulse-racing 1993 thriller. In the Line of Fire was directed by Wolfgang Petersen, the brilliant director of the World War II U-boat masterpiece Das Boot. Eastwood gives one of his best performances as Secret Service agent Frank Horrigan, who still feels responsible for the death of JFK 30 years earlier. Horrigan gets a shot at redemption when challenged by a psychotic but highly intelligent assassin (John Malkovich) who intends to kill the current U.S. president. Tension builds as this intellectual cat-and-mouse game reaches its climactic confrontation, but not before we've seen the killer at work, covering his trail with ruthless precision. Tightly scripted by Jeff Maguire, the film cuts Malkovich loose as one of the most memorable screen villains of the 1990s, and costars Rene Russo as Eastwood's sharp Secret Service colleague and romantic partner. —Jeff Shannon

In Independence Day, a scientist played by Jeff Goldblum once actually had a fistfight with a man (Bill Pullman) who is now president of the United States. That same president, late in the film, personally flies a jet fighter to deliver a payload of missiles against an attack by extraterrestrials. Independence Day is the kind of movie so giddy with its own outrageousness that one doesn't even blink at such howlers in the plot. Directed by Roland Emmerich, Independence Day is a pastiche of conventions from flying-saucer movies from the 1940s and 1950s, replete with icky monsters and bizarre coincidences that create convenient shortcuts in the story. (Such as the way the girlfriend of one of the film's heroes—played by Will Smith—just happens to run across the president's injured wife, who are then both rescued by Smith's character who somehow runs across them in alien-ravaged Los Angeles County.) The movie is just sheer fun, aided by a cast that knows how to balance the retro requirements of the genre with a more contemporary feel. —Tom Keogh

As a more conventional follow-up to his innovative thriller Memento, Christopher Nolan's Insomnia offers ample proof that his skills are genuine. A superbly crafted remake of the 1997 Norwegian thriller, this moody police procedural is transplanted to a remote Alaskan town, where a veteran Los Angeles detective (Al Pacino) arrives to investigate the murder of a teenaged girl. Professional tragedy collides with psychological turmoil as the detective suffers from sleeplessness under the region's perpetual daylight, and a local rookie cop (Hilary Swank) begins to suspect that truths are being hidden as the disturbing case unfolds. While the Alaskan setting intensifies the atmospheric mystery, Pacino's bleary-eyed disorientation adds a rich layer to his character's erratic behavior, and the casting of Robin Williams as the killer was a risk that pays off nicely. In many respects better than the original, Insomnia is a Hollywood remake that's refreshingly free of compromise. —Jeff Shannon