Dan Aykroyd and Harold Ramis wrote the script, but Bill Murray gets all the best lines and moments in this 1984 comedy directed by Ivan Reitman (Meatballs). The three comics, plus Ernie Hudson, play the New York City-based team that provides supernatural pest control, and Sigourney Weaver is the love interest possessed by an ancient demon. Reitman and company are full of original ideas about hobgoblins—who knew they could "slime" people with green plasma goo?—but hovering above the plot is Murray's patented ironic view of all the action. Still a lot of fun, and an obvious model for sci-fi comedies such as Men in Black. —Tom Keogh

RADIATION FROM FRENCH NUCLEAR TESTING IN POLYNESIA RESSURRECTS, GODZILLA, A GIANT, RADIATION-MUTATED LIZARD. GODZILLA CREATES HAVOC WHEN IT DECIDES TO NEST IN MANHATTAN, CREATING RAMPANT CHAOS IN NEW YORK CITY AS A TEAM OF SCIENTISTS AND THE U.S. MILIATRY TRY TO DESTROY THE LIZARD AND ITS OFFSPRING.

The 18th James Bond adventure was a runaway box-office success when released in 1995, thanks to the arrival of Pierce Brosnan as the fifth actor (following the departure of Timothy Dalton) to play the suave, danger-loving Agent 007. This James Bond is a bit more vulnerable and psychologically complex—and just a shade more politically correct—but he's still a formally attired playboy at heart, with a lovely Russian beauty (Izabella Scorupco) as his sexy ally against a cadre of renegade Russians bent on—what else?—global domination. There's also a seductive villainous with the suggestive name of Xenia Onatopp (Famke Janssen), and the great actress Judi Dench makes her first appearance as Bond's superior, M, who wisecracks about 007's "dinosaur" status as a globetrotting sexist. All in all, this action-packed Bond adventure provided a much-needed boost the long-running movie series, revitalizing the 007 franchise for the turn of the millennium. —Jeff Shannon

David O. Selznick wanted Gone with the Wind to be somehow more than a movie, a film that would broaden the very idea of what a film could be and do and look like. In many respects he got what he worked so hard to achieve in this 1939 epic (and all-time box-office champ in terms of tickets sold), and in some respects he fell far short of the goal. While the first half of this Civil War drama is taut and suspenseful and nostalgic, the second is ramshackle and arbitrary. But there's no question that the film is an enormous achievement in terms of its every resource—art direction, color, sound, cinematography—being pushed to new limits for the greater glory of telling an American story as fully as possible. Vivien Leigh is still magnificently narcissistic, Olivia de Havilland angelic and lovely, Leslie Howard reckless and aristocratic. As for Clark Gable: we're talking one of the most vital, masculine performances ever committed to film. —Tom Keogh

MATT DAMON IS WILL HUNTING, A WORKING CLASS KID WITH A GENIUS IQ WHO CAN'T MUSTER A PASSING SCORE IN HIS PERSONAL LIFE. UNABLE TO TALK HIS WAY OUT OF A PENDING JAIL SENTENCE, WILL'S ONLY HOPE IS PROFESSOR AND THERAPIST SEAN MCGUIRE, THE ONE MAN WHO CAN CHANGE HIS LIFE, WILL HAS CALLED THE SHOTS, NOW HE'S MET HIS MATCH.

In the final film of Leone's trilogy, three desperadoes have their eyes set on a $200,000 treasure during civil war times.

Riding the strange '50s nostalgia wave that swept through America during the late 1970s (caused by TV shows like Happy Days and films like American Graffiti), Grease became not only the word in 1978, but also a box-office smash and a cultural phenomenon. Twenty years later, this entertaining film adaptation of the Broadway musical received another successful theatrical release, which included visual remastering and a shiny new Dolby soundtrack. In this 2002 DVD release, Grease lovers can also now see it in the correct 2:35 to 1 Panavision aspect ratio, and see retrospective interviews with cast members and director Randal Kleiser. All these stylistic touches are essential to the film's success. Without the vibrant colors, unforgettably campy and catchy tunes (like "Greased Lightning," "Summer Nights," and "You're the One That I Want"), and fabulously choreographed, widescreen musical numbers, the film would have to rely on a silly, cliché-filled plot that we've seen hundreds of times. As it is, the episodic story about the romantic dilemmas experienced by a group of graduating high school seniors remains fresh, fun, and incredibly imaginative.

The young, animated cast also deserves a lot of credit, bringing chemistry and energy to otherwise bland material. John Travolta, straight from his success in Saturday Night Fever, knows his sexual star power and struts, swaggers, sings, and dances appropriately, while Olivia Newton-John's portrayal of virgin innocence is the only decent acting she's ever done. And then there's Stockard Channing, spouting sexual double-entendres as Rizzo, the bitchy, raunchy leader of the Pink Ladies, who steals the film from both of its stars. Ignore the sequel at all costs. —Dave McCoy

Studio: Warner Home Video Release Date: 01/16/2007 Run time: 106 minutes Rating: Pg

TURN THE BELOVED BAIT SHOP INTO A CHICHI RISTORANTE? THIS MEANS WAR. WITH JACK LEMMON AND WALTER MATTHAU RETURNING TO WAGE IT, IT ALSO MEANS FUNNY.

A fictional dramatization of the anti-Communist witch-hunts that plagued the U.S. during the late 1940s and early '50s, Guilty by Suspicion examines one of the most shameful periods of American history. After producing such prominent films as Rocky and Raging Bull, Irwin Winkler made his directorial debut with this 1991 drama, basing his screenplay on the harsh reality of the blacklisting era. Set during 1951, when the House Un-American Activities Committee (HUAC) held hearings to target alleged Communist affiliations within the Hollywood filmmaking community, the film stars Robert De Niro as a prominent director who is urged to "name names" to appease the committee. Rather than betray one of his closest friends, he refuses to "cooperate" with the committee and is quickly blacklisted, his entire career in jeopardy. Costarring Annette Bening as the director's sympathetic ex-wife, the film doesn't pack the emotional punch of The Front (another blacklisting-era film, starring Woody Allen), but Winkler captures the paranoid anxiety of the period with a wealth of authentic detail. Because the De Niro character underestimates the power of the HUAC, we share his shock and dismay when he must finally face the committee. Without seeming like a dry history lesson, Guilty by Suspicion illuminates the unconstitutional evil of the blacklist era while offering a glimpse behind the scenes of Hollywood's past. Adding to the realism, director Martin Scorsese makes a rare cameo as another filmmaker under fire. Although Winkler's script and direction are perhaps too melodramatic, Guilty by Suspicion was clearly made with noble purpose and intention. For anyone interested in the blacklisting era and Hollywood history, this movie's a must-see. —Jeff Shannon

Dr. Hannibal lecter escaped from the asylum in baltimore to florence italy where he has become one of the curators of the palazzo vecchio and has learned to stop eating human flesh all the time. But his cover is broken when cop rinaldo pazzi will turn dr. Lecter over for money to mason verger. Studio: Tcfhe/mgm Release Date: 10/16/2007 Starring: Anthony Hopkins Gary Oldman Run time: 131 minutes Rating: R Director: Ridley Scott

First sequels are the true test of an enduring movie franchise, and Harry Potter and the Chamber of Secrets passes with flying colors. Expanding upon the lavish sets, special effects, and grand adventure of Harry Potter and the Sorcerer's Stone, Harry's second year at Hogwarts School of Witchcraft and Wizardry involves a darker, more malevolent tale (parents with younger children beware), beginning with the petrified bodies of several Hogwarts students and magical clues leading Harry (Daniel Radcliffe), Ron (Rupert Grint), and Hermione (Emma Watson) to a 50-year-old mystery in the monster-laden Chamber of Secrets. House elves, squealing mandrakes, giant spiders, and venomous serpents populate this loyal adaptation (by Sorcerer's Stone director Chris Columbus and screenwriter Steve Kloves), and Kenneth Branagh delightfully tops the supreme supporting cast as the vainglorious charlatan Gilderoy Lockhart (be sure to view past the credits for a visual punchline at Lockhart's expense). At 161 minutes, the film suffers from lack of depth and uneven pacing, and John Williams' score mostly reprises established themes. The young, fast-growing cast offers ample compensation, however, as does the late Richard Harris in his final screen appearance as Professor Albus Dumbledore. Brimming with cleverness, wonderment, and big-budget splendor, Chamber honors the legacy of J.K. Rowling's novels. —Jeff Shannon