The long-defunct, Southern California band regrouped for an album, an expensive tour (expensive for ticket buyers, that is), and this televised special, which features the Eagles in performance. Laid-back but sharp and even stirring during a longish acoustic set, the guys quickly get past the nostalgia element and sound truly viable. They even make it look easy: the sight of Joe Walsh wearing glasses and sitting in almost perfect repose as he effortlessly colors old hits "Tequila Sunrise" and new material such as "Learn to Be Still" may make you wonder why you ever stashed that guitar in the attic. But the band eventually gets off their stools and rocks out on "Hotel California" and other Eagles standards. All in all, it's an enjoyable and mellowing show. Tom Keogh
A plane crash in the freezing alaskan wilderness pits intellectual billionaire charles morse against self-satisfied fashion photographer robert green in a brutal struggle for survival. Each will soon discover that the greatest danger comes not from nature but from fear treachery and murder. Studio: Tcfhe Release Date: 12/14/2004 Starring: Anthony Hopkins David Mamet Run time: 120 minutes Rating: R
A successful attorney (Smith) is given a video that ties a top Washington official to a political murder.
Winner of nine Academy Awards and almost every critic's heart, The English Patient (based on Michael Ondaatje's prizewinning novel of love and loss during World War II) is one of the most acclaimed films of modern times. Hana, a nurse (Juliette Binoche), tends to an archaeologist (Ralph Fiennes) who has been burnt to a crisp in a plane crash. As their relationship intensifies, he flashes back to his overwhelming passion for a married woman (Kristin Scott Thomas). Meanwhile, Hana begins a new romance with a man who defuses bombs (Naveen Andrews) and Willem Dafoe almost steals the show as the thumbless thief Caravaggio. The intricately layered flashback narrative, sounding the depths of the lovers' hearts, improves with repeated viewingsespecially with the sharp picture and digital sound of the digital video disc.
WORKING CLASS WAITRESS SLIM FINDS HER LIFE TRANSFORMED WHEN SHE MARRIES WEALTHY CONTRACTOR MITCH. SHE SETTLES INTO AN IDYLLIC SUBURBAN LIFE AND SEEMS TO HAVE EVERYTHING SHE WANTS: LOVING HUSBAND, BEAUTIFUL HOME, AND GRACIE. HER DREAM IS SUDDENLY SHATTERED WHEN SHE DISCOVERS MITCH IS ANYTHING BUT PERFECT.
A master thief is approached by a beautiful young insurance investigator about pulling off the perfect heist. Is it a set-up? |
Director William Friedkin was a hot ticket in Hollywood after the success of The French Connection, and he turned heads (in more ways than one) when he decided to make The Exorcist as his follow-up film. Adapted by William Peter Blatty from his controversial bestseller, this shocking 1973 thriller set an intense and often-copied milestone for screen terror with its unflinching depiction of a young girl (Linda Blair) who is possessed by an evil spirit. Jason Miller and Max von Sydow are perfectly cast as the priests who risk their sanity and their lives to administer the rites of demonic exorcism. Ellen Burstyn plays Blair's mother, who can only stand by in horror as her daughter's body is wracked by Satanic disfiguration. One of the most frightening films ever made, The Exorcist was mysteriously plagued by trouble during production, and the years since have not diminished its capacity to disturb even the most stoic viewers. The film is presented in letterbox format on digital video disc, with a remastered soundtrack that's guaranteed to curdle your blood. The 25th-anniversary Special Edition DVD of The Exorcist is packed with bonus features, including a 74-minute documentary titled The Fear of God: The Making of The Exorcist, which includes interviews with cast and crew, audio commentary by William Friedkin and author William Peter Blatty, a special introduction by Friedkin, theatrical trailers and TV spots, and DVD-exclusive coverage of the film's storyboards and production design. Jeff Shannon
Relentless fbi agent sean archer must go dangerously undercover to investigate the location of a lethal biological weapon planted by his arch rival the sadistic terrorist-for-hire castor troy. After undergoing a radical surgical procedure archer borrows troys face and identity. Studio: Paramount Home Video Release Date: 08/22/2006 Starring: John Travolta Joan Allen Run time: 140 minutes Rating: R Director: John Woo
Leave it to the wildly inventive Coen brothers (Joel directs, Ethan produces, they both write) to concoct a fiendishly clever kidnap caper that's simultaneously a comedy of errors, a Midwestern satire, a taut suspense thriller, and a violent tale of criminal misfortune. It all begins when a hapless car salesman (played to perfection by William H. Macy) ineptly orchestrates the kidnapping of his own wife. The plan goes horribly awry in the hands of bumbling bad guys Steve Buscemi and Peter Stormare (one of them being described by a local girl as "kinda funny lookin'" and "not circumcised"), and the pregnant sheriff of Brainerd, Minnesota (played exquisitely by Frances McDormand in an Oscar-winning role) is suddenly faced with a case of multiple murders. Her investigation is laced with offbeat observations about life in the rural hinterland of Minnesota and North Dakota, and Fargo embraces its local yokels with affectionate humor. At times shocking and hilarious, Fargo is utterly unique and distinctly American, bearing the unmistakable stamp of its inspired creators. Jeff Shannon
Fear Dot Com is a total-dot-mess, but it's a stylishly graphic frightfest that horror buffs will probably appreciate. As he did with his 1999 remake of House on Haunted Hill, director William Malone favors trippy atmosphere at the expense of acting, character development, and plot. Belatedly jumping on the Internet-thriller bandwagon, the film follows a brooding detective (Stephen Dorff) and a public health inspector (Natascha McElhone) as they investigate the deadly influence of the titular Web site, which channels the innermost fears of its visitors until they die of fright 48 hours later. Why 48 hours? Don't ask; Josephine Coyle's screenplay is as incoherent as Malone's grasp of narrative momentum, leaving Dorff and McElhone with little to do but look frightened and doomed. But Fear Dot Com has its moments, especially after mad doctor Stephen Rea's gruesome villainy is fully revealed, and the proceedings take on the monochrome pallor of silent German expressionism. Too bad these fantastic visuals weren't servicing a better movie. Jeff Shannon
From the Academy Award(R)-winning creators of TOY STORY and MONSTERS INC. (2001 Best Animated Short Film FOR THE BIRDS) it's FINDING NEMO a hilarious adventure where you'll meet colorful characters that take you into the breathtaking underwater world of Australia's Great Barrier Reef. Nemo an adventurous young clownfish is unexpectedly taken to a dentist's office aquarium. It's up to Marlin (Albert Brooks) his worrisome father and Dory (Ellen DeGeneres) a friendly but forgetful regal blue tang fish to make the epic journey to bring Nemo home. Their adventure brings them face-to-face with vegetarian sharks surfer dude turtles hypnotic jellyfish hungry seagulls and more. Marlin discovers a bravery he never knew but will he be able to find his son? FINDING NEMO's breakthrough computer animation takes you into a whole new world with this undersea adventure about family courage and challenges. Take the plunge into FINDING NEMO a "spectacularly beautiful animated adventure for everyone" David Sheehan CBS-TVSystem Requirements:Voices: Albert Brooks; Ellen DeGeneres; Alexander Gould; Willem Dafoe; Brad Garrett; Allison Janney; Austin Pendleton; Stephen Root; Vicki Lewis; Joe Ranft; Geoffrey Rush; Andrew Stanton; Elizabeth Perkins; Nicholas Bird; Bob Peterson; Barry Humphries; and Eric Bana. Directed By: Andrew Stanton. Running Time: 100 Min. Color. Copyright 2003 Buena Vista Home Video.Format: DVD MOVIE Genre: CHILDREN/FAMILY Rating: G UPC: 786936215595 Manufacturer No: 03007800
Do you know anyone who hasn't seen this movie? A box-office smash when released in 1993, this spectacular update of the popular 1960s TV series stars Harrison Ford as a surgeon wrongly accused of the murder of his wife. He escapes from a prison transport bus (in one of the most spectacular stunt-action sequences ever filmed) and embarks on a frantic quest for the true killer's identity, while a tenacious U.S. marshal (Tommy Lee Jones, in an Oscar-winning role) remains hot on his trail. Director Andrew Davis hit the big time with this expert display of polished style and escalating suspense, but it's the antagonistic chemistry between Jones and Ford that keeps this thriller cooking to the very end. In roles that seem custom-fit to their screen personas, the two stars maintain a sharply human focus to the grand-scale manhunt, and the intelligent screenplay never resorts to convenient escapes or narrative shortcuts. Equally effective as a thriller and a character study, this is a Hollywood blockbuster that truly deserves its ongoing popularity. Jeff Shannon
It's not quite as clever as it tries to be, but The Game does a tremendous job of presenting the story of a rigid control freak trapped in circumstances that are increasingly beyond his control. Michael Douglas plays a rich, divorced, and dreadful investment banker whose 48th birthday reminds him of his father's suicide at the same age. He's locked in the cage of his own misery until his rebellious younger brother (Sean Penn) presents him with a birthday invitation to play "The Game" (described as "an experiential Book of the Month Club")a mysterious offering from a company called Consumer Recreation Services. Before he knows the game has even begun, Douglas is caught up in a series of unexplained events designed to strip him of his tenuous security and cast him into a maelstrom of chaos. How do you play a game that hasn't any rules? That's what Douglas has to figure out, and he can't always rely on his intelligence to form logic out of what's happening to him. Seemingly cast as the fall guy in a conspiracy thriller, he encounters a waitress (Deborah Unger) who may or may not be trustworthy, and nothing can be taken at face value in a world turned upside down. Douglas is great at conveying the sheer panic of his character's dilemma, and despite some lapses in credibility and an anticlimactic ending, The Game remains a thinking person's thriller that grabs and holds your attention. Jeff Shannon |
Made by Tom Capote, on a MAC