FBI AGENT WILL GRAHAM HAS BEEN CALLED OUT OF EARLY RETIREMENT TO CATCH A SERIAL KILLER, KNOWN BY AUTHORITIES AS THE TOOTH FAIRY. HE ASKS FOR THE HELP OF HIS ARCH-NEMESIS, DR. HANNIBAL THE CANNIBAL LECTER.THE ONLY PROBLEM IS THAT THE TOOTH FAIRY IS GETTING INSIDE INFORMATION FROM LECTOR

An inquisitive reporter views a mysterious videotape that is linked to several deaths she sets in motion a chain of events that puts her life in danger. Now she is in a race against time to solve the mystery before its too late. Studio: Paramount Home Video Release Date: 05/01/2007 Starring: Naomi Watts Brian Cox Run time: 115 minutes Rating: Pg13 Director: Gore Verbinski

AN ENGROSSING STORY OF TWO BROTHER LIVING IN MONTANA UNDER THE STERN HAND OF A MINISTER FATHER. SPECIAL FEATURES: FULL SCREEN AND WIDESCREEN VERSIONS, SUBTITLES: ENGLISH, FRENCH, SPANISH AND PORTUGUESE, TALENT FILES, AND THEATRICAL TRAILERS.

Michael is a father fighting to keep his only son from traveling the road to perdition. A mesmerizing tale of a father & son bound together by tragedy & betrayal. On an inforgettable journey of honor vengeance & redemption they will confront overwhelming odds - and forge an indestructible bond. Studio: Paramount Home Video Release Date: 02/13/2007 Starring: Tom Hanks Jude Law Run time: 117 minutes Rating: R

A vengeful general and his highly trained commandos seize control of Alcatraz island and threaten San Francisco with rocket loaded with deadly gas unless the families of the men who've died under his command in covert missions are paid a million dollars a piece. Only two men can stop them.

Jim Morris, the real-life hero of The Rookie, has an inspirational story all but guaranteed to put a smile on anyone's face. Happily, this G-rated Disney drama, based on Morris's published memoir of the same title, is suitable for an all-ages audience. Blessed with an awesome fastball, Morris nursed dreams of pitching for Major League Baseball during his 20s; injuries and bad luck, however, forced him to give up hope and become a teacher and coach. Years later, pressed by students and colleagues to try out for "the Show" one more time, Morris discovered he still had a powerful arm, and he was signed by the Tampa Bay Devil Rays. The Rookie is at its best throughout this first chapter in Morris's midlife adventure, though the rest of the film finds fresh angles on more familiar baseball-movie conventions. Dennis Quaid is soulful and charismatic as Morris, perfect in his depiction of a man both thankful and startled that destiny has given one of the good guys his due. Appropriate for ages 4 and up. —Tom Keogh

In a fitting follow-up to Rushmore, writer-director Wes Anderson and cowriter-actor Owen Wilson have crafted another comedic masterwork that ripples with inventive, richly emotional substance. Because of the all-star cast, hilarious dialogue, and oddball characters existing in their own, wholly original universe, it's easy to miss the depth and complexity of Anderson's brand of comedy. Here, it revolves around Royal Tenenbaum (Gene Hackman), the errant patriarch of a dysfunctional family of geniuses, including precocious playwright Margot (Gwyneth Paltrow), boyish financier and grieving widower Chas (Ben Stiller), and has-been tennis pro Richie (Luke Wilson). All were raised with supportive detachment by mother Etheline (Anjelica Huston), and all ache profoundly for a togetherness they never really had. The Tenenbaums reconcile somehow, but only after Anderson and Wilson (who costars as a loopy literary celebrity) put them through a compassionate series of quirky confrontations and rekindled affections. Not for every taste, but this is brilliant work from any perspective. —Jeff Shannon

TOMMY PICKLES FACES RESPONSIBILITY WHEN DIL, HIS NEW BABY BROTHER IS BORN. AS WITH ALL NEWBORNS, THE CHILD BECOMES A BANE TO TOMMY AND THE REST OF THE GANG. EVEN PHIL AND LIL DOESN'T LIKE HIM. SO THEY DECIDE TO RETURN DIL TO WHERE HE CAME FROM, THE HOSPITAL. BUT THEY GET LOST ALONG THE WAY.

The second theatrical film from the popular television show is better than the original surprise hit. Instead of delving into their rich fantasy life, the Rugrats gang goes on a real adventure when their families visit Paris together. Mr. Pickles is brought over to fix his giant Reptar robot, the centerpiece of EuroReptarland (a biting version of the trouble-plagued EuroDisney). The underlying story has Chuckie (the one with the square glasses) looking for a new mommy, as his dad (who has a square personality) starts to fall for a villainous executive (voiced by Susan Sarandon). Soon Paris takes it on the chin as the diaper gang tries to save Chuckie's dad from the altar. The success of the Rugrats is in the writing, where much thought goes into finding comic gems for the adults (there are wonderful parodies of The Godfather and King Kong that will sail over kids' heads). The garble-mouthed youngsters keep up their joyful ways in this 78-minute feature that feels no different from their Nickelodeon series except in length, some 3-D animation sequences, and an eclectic song score (with Cyndi Lauper's "I Want a Mom That Will Last Forever" the real catch). (Ages 6 and older) —Doug Thomas

The plot line may sound familiar: Two mismatched cops are assigned as reluctant partners to solve a crime. Culturally they are complete opposites, and they quickly realize they can't stand each other. One (Jackie Chan) believes in doing things by the book. He is a man with integrity and nerves of steel. The other (Chris Tucker) is an amiable rebel who can't stand authority figures. He's a man who has to do everything on his own, much to the displeasure of his superior officer, who in turn thinks this cop is a loose cannon but tolerates him because he gets the job done. Directed by Brett Ratner, Rush Hour doesn't break any new ground in terms of story, stunts, or direction. It rehashes just about every "buddy" movie ever made—in fact, it makes films such as Tango and Cash seem utterly original and clever by comparison. So, why did this uninspired movie make over $120 million at the box office? Was the whole world suffering from temporary insanity? Hardly. The explanation for the success of Rush Hour is quite simple: chemistry. The casting of veteran action maestro Jackie Chan with the charming and often hilarious Chris Tucker was a serendipitous stroke of genius. Fans of Jackie Chan may be slightly disappointed by the lack of action set pieces that emphasize his kung-fu craft. On the other hand, those who know the history of this seasoned Hong Kong actor will be able to appreciate that Rush Hour was the mainstream breakthrough that Chan had deserved for years. Coupled with the charismatic scene-stealer Tucker, Chan gets to flex his comic muscles to great effect. From their first scenes together to the trademark Chan outtakes during the end credits, their ability to play off of one another is a joy to behold, and this mischievous interaction is what saves the film from slipping into the depths of pitiful mediocrity. —Jeremy Storey

Rush Hour 2 retains the appeal of its popular predecessor, so it's easily recommended to fans of its returning stars, Chris Tucker and Jackie Chan. The action—and there's plenty of it—starts in Hong Kong, where Detective Lee (Chan) and his L.A. counterpart Detective Carter (Tucker) are attempting a vacation, only to get assigned to sleuth a counterfeiting scheme involving a triad kingpin (John Lone), his lethal henchwoman (Zhang Ziyi, from Crouching Tiger, Hidden Dragon), and an American billionaire (Alan King). Director Brett Ratner simply lets his stars strut their stuff, so it hardly matters that the plot is disposable, or that his direction is so bland he could've phoned it in from a Jacuzzi.

At its best, Rush Hour 2 compares favorably to Chan's glossiest Hong Kong hits, and when the action moves to Las Vegas (where Don Cheadle makes an unbilled cameo), the movie goes into high-pitched hyperdrive, riding an easy wave of ambitious stuntwork and broad, derivative humor. Echoes of Beverly Hills Cop are too loud, however, and stale ideas (including a comedic highlight for Jeremy Piven as a gay clothier) are made even more aggravating by dialogue that's almost Neanderthal in its embrace of retro-racial stereotypes. Of course, that's what makes Rush Hour 2 a palatable dish of mainstream comedy; it insults and comforts the viewer at the same time, and while some may find Tucker's relentless hamming unbearable, those who enjoyed Rush Hour are sure to appreciate another dose of Chan-Tucker lunacy. —Jeff Shannon